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program note:
This “site specific” work was developed for double-bass and real-time interactive electronic system, in collaboration with the bassist John Eckhardt. The sound projection concept is focused on making acoustic variation and composition using the frequency-mode difference between the 5 rooms in Wasserspeicher. The frequency bias of electroacoustic at each loud speaker is continuously shifted and it makes unique sound gradation. With special improvising technic by Eckhardt, very sensitive double-bass sound becomes particular sources of the electroacoustic. This will be algorithmically expanded and projected in the space by the computer. Especially, to realize the concept, various spectrum processing such as spectrum panning, spectrum delay, phase processing were employed.