biography | list of works | past activities | prizes, grants etc
2009
| Nature of Sand for guitar, 13 strings koto and electronics |
| ____realized at Sonology Department, Kunitachi College of Music |
| Moment for organ, choir, strings and electronics |
|
____commissioned by Magdeburger Musikverein e.V. ____realized at Sonology Department, Kunitachi College of Music |
2008
| Rhythm and Texture for marimba and electronics |
|
____commissioned by Tateshina Kogen Seminar ____realized at Sonology Department, Kunitachi College of Music |
| Fluid Grains for marimba and electronics |
|
____commissioned by Tateshina Kogen Seminar ____realized at Sonology Department, Kunitachi College of Music |
2007
| Figure in Movement III for double-bass and electronics |
|
____commissioned by DAAD Berlin ____realized at Sonology Department, Kunitachi College of Music and TU Berlin ____collaborative work with John Eckhardt (double-bass improvisation) |
| Immersive Motion Study for Wave Field Synthesis System |
|
____commissioned by DAAD Berlin ____realized at Sonology Department, Kunitachi College of Music and TU Berlin |
| Coherency for violoncello |
|
____commissioned by Alexis Descharmes |
2006
| Figure in Movement II for piano and real-time audio/visual processing technique |
|
____commissioned by Heather O’Donnell ____supported by DAAD Berlin ____realized at Sonology Department, Kunitachi College of Music and TU Berlin ____ 
|
2005
| Emergence of Boundary electroacoustic composition |
|
____composed for the performance by Mayumi Fukuzaki (butoh dance) + Shintaro Imai (sound) ____realized at TU Berlin |
| Figure in Movement electroacoustic composition |
|
____realized at TU Berlin |
2004
| Quartz for flute and electronics |
|
____commissioned by Rundfunks Berlin-Brandenburg ____realized at TU Berlin ____collaborative work with Sabine Vogel (flute improvisation) |
| Ubiquitous for flute and electronics |
|
____commissioned by DAAD Berlin ____realized at TU Berlin ____collaborative work with Sabine Vogel (flute improvisation) |
| Motion and Glitch Study for dance, visual image processing and electronic sound |
|
____commissioned by Inventionen 2004 ____realized at TU Berlin ____collaborative work with Kazue Ikeda (dance improvisation) ____ 
|
2003
| Accumulation for harp and electronics |
| ____realized at ZKM |
| Glitchdesign electroacoustic composition |
| ____realized at ZKM |
| Lautsprechermusik für 5 verschiedene Lautsprecher |
|
____realized at ZKM ____ 
|
| Frequency multimedia installation |
|
____realized at ZKM, HfG Karlsruhe ____collaborative work with Kazumi Wada (concept/visual art) ____ 
|
| Die Zwitschermaschine für Flöte und Elektronik |
| ____realized at ZKM |
2002
| Materials for a cellist |
| ____commissioned by Jean-Guihen Queyras |
| Filtering for piano and electronics |
| ____commissioned by Yoshiko Shibuya |
| Metafragment for percussion and electronics |
2000
| Metal Mosquito electroacoustic composition |
| ____realized at Swiss Center for Computer Music |
| La Lutte bleue pour violoncelle et électronique |
| ____realized at Ircam |
1999
| Resonant Quarks II electroacoustic composition |
| ____realized at Sonology Department, Kunitachi College of Music |
| Resonance for clarinet, piano, percussion and computer |
| ____realized at Sonology Department, Kunitachi College of Music |
1998
| Resonant Black for baritone and computer |
| ____realized at Sonology Department, Kunitachi College of Music |
| Resonant Waves for clarinet and computer |
| ____realized at Sonology Department, Kunitachi College of Music |
| Resonant Quarks for four channels tape |
| ____realized at Sonology Department, Kunitachi College of Music |