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program note:
This electroacoustic piece was realized with NeXT computer and IRCAM Signal Processing Workstation at the Sonology Department of Kunitachi College of Music, Tokyo in 1998. Compositional algorithm, sound synthesis and mixing programs were all written in the software Max.
____For the composer it was the first experiment on developing his idiom “Sound Creature” by means of microscopic particles in natural sounds. Mainly four sounds sampled from human voice and instruments, moreover each has just one second duration, are used in the piece as musical materials. By being processed via algorithmic granular sampling technique, these are gradually or suddenly changing its timbre and place in space as if dance performance of living creatures.