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musical documentation
title: Die Zwitschermaschine
sub-title: für Flöte und Elektronik

year of composition: 2003
realized at: ZKM

duration: ca. 5 min.
____concert: Klangriffe “Festival für riskante Musik”
____place: Kubus, ZKM, Karlsruhe, Germany
____date: May 18, 2003
____musician: Hanna Petermann
____live electronic system (Max/MSP, 4ch loudspeaker)

program note:
This piece, took the title from and inspired by Paul Klee's painting, was written for flute and live computer electronic system. The electronics part is programmed and performed with the software “Max/MSP” on Macintosh computer, and interactive expansion of musical materials which made full use of real-time digital signal processing technique is realized. ____The relation between flute and electronics is compared to one indivisible new musical instrument, and also independent parts in an ensemble. The flutist goes back and forth these two poles such expanded solo and duo, and creates “new sound space”.

further performance:
____concert: upDate: Shintaro IMAI
____place: Kubus, ZKM, Karlsruhe, Germany
____date: September 18, 2003
____musician: Hanna Petermann